Louis carlos bernal photographer cholos de tijuana

          This article looks at Mexican photographer Graciela Iturbide's Cholos/as series taken on both sides of the border: in Los Angeles in and in Tijuana in

          In Louis Carlos Bernal's photograph Dos Cholas, Tucson, Arizona The s cholos/as style captured in Bernal's photographs was heir to a.!

          Louis Carlos Bernal

          Louis Carlos Bernal (August 18, 1941 – August 18, 1993) was a Chicano-Americanphotographer.

          His works focused on social expression and developing a visual narrative, especially during the time of the Chicano Movement.

          Early life and education

          Born in Douglas, Arizona, Bernal "grew up very aware of his identity and formed an interest in social justice and Chicanx pride"[1] because of the racism that he had to face.

          This article looks at Mexican photographer Graciela Iturbide's Cholos/as series taken on both sides of the border: in Los Angeles in

        1. This article looks at Mexican photographer Graciela Iturbide's Cholos/as series taken on both sides of the border: in Los Angeles in
        2. Louis Carlos Bernal was a photographer who dedicated much of his.
        3. In Louis Carlos Bernal's photograph Dos Cholas, Tucson, Arizona The s cholos/as style captured in Bernal's photographs was heir to a.
        4. In this, Bernal simultaneously offers an insight into his own Cholos, White Fence, East Los Angeles,Graciela Iturbide (Mexican.
        5. Chapter 3, ""Familial Spaces on the Border,"" explores how Louis Carlos Bernal's and Ricardo Valverde's photographs of domestic and familial spaces in the US-.

          6. After coming to a realization that he had a passion for photography, Bernal attended Arizona State University, where he earned his Masters of Fine Art degree. Afterwards, he was offered a position to teach at Pima Community College in Tucson, where he continued to teach throughout the duration of his life while doing his own work.[2]

          Career

          Bernal's works grew from simply wanting to embrace his identity, to delving deeper into Chicano culture and community.

          He was considered to be the father of Chicano photography,